No.1 hypo essay | New Year, when after bo pod smile

2022-06-09 0 By

Chen Haibo ceramic connoisseur, connoisseur, president of Shanghai Pudong New Area Freelance Professional Association, Shanghai’s special exhibition of the Year of the Tiger comes as promised on the occasion of ending the old year and welcoming the New Year, and it seems that it has become a habit and tacit understanding to go to Shanghai Expo to see the first exhibition of the Chinese zodiac every year.This year, 10 cultural relics (including online exhibits) are on display, including 6 selected cultural relics from Shanghai Museum and 4 exchange cultural relics from Kyushu National Museum of Japan.Although the number of exhibits is small, five of them are well worth seeing as they are being seen by Shanghai audiences for the first time.The yellow ground black color tiger pillow comes from the Jin Dynasty thousands of years ago.Tiger pillow is made of mold, from the left and right half bonding.The body of the tiger is first applied with white makeup soil, and then covered with yellow color. On the yellow color, black color is used to depict the tiger spot, and the brush is lively.Pillow surface did not apply yellow color, on the white ground with black color drawing of wild goose title reed grain.After all the painting is done, cover with a transparent glaze.In the Jin Dynasty, the ceramic tiger pillow was a popular daily necessities.The gilded tiger town of the Western Han Dynasty is exquisitely carved. The body of the lying tiger is engraved with tiger spot pattern. The neck of the tiger is worn with a collar, decorated with shell pattern, and the half ring is set near the back head.The tiger is infused with lead to stabilize it and weighs 3,600 grams.Before the Qin and Han Dynasties, people’s main way of living was “sitting on the ground”.In order to avoid getting up and sitting down, folding seat Angle or concerned about clothes, thus affecting manners, there will be seat town, that is, the weight of the four corners of the seat.Qiushan jade ornaments of the Jin Dynasty also show a vivid tiger image, the front of the jade ornaments adopts the carving technique to show oak trees, rocks, ganoderma and other mountain scenery, during which a tiger squatted looking back, the head and hair are carefully depicted, full of simple forest wild interest.The main body of jade is nearly white, and the skin color of jade material is used locally to show tiger fur and ganoderma lucidum, which is a “qiao color” process.Also interesting are two blue and white tiger plates from Edo-era Iwanri from kyushu National Museum in Japan.It is reported that the two Japanese cultural relics were unescorted to Shanghai.The Kyushu National Museum of Japan is willing to send two cultural relics to Shanghai without escort due to the epidemic prevention and control, which is not only to celebrate the 50th anniversary of the normalization of China-japan diplomatic relations, but also a beneficial cooperation for international exhibitions under the epidemic.Blue and white tiger bamboo figure twelve horn plate fired in Japan have tian kiln, the inner wall painted with tiger, bamboo, Taihu stone, xiangyun and other patterns, murals peony and camellia patterns, circle foot inside and outside each drawing a string.The other plate, more than 30 cm in diameter, was fired between 1810 and 1840 and is painted with tiger bamboo and painted with makeup clay.Such plates were used to display dishes at banquets, which was a luxury item on the table of the upper class at that time. The theme of tiger and bamboo paintings was widely favored at that time and passed down the most.Influenced by Chinese culture, Japan has long had the custom of honoring tigers.In 1731, shen Quan, a painter of qing Dynasty, was invited by the Tokugawa Shogunate to teach Chinese painting skills in Nagasaki, Japan, and lived in the local “Tang Museum” for nearly two years.Xiong Fei, the Japanese artist behind another work on display, Tiger Painting, was shen’s disciple in Japan at that time.Therefore, this exhibition is not only the international art exchange and interaction between contemporary China and Japan, but also presents the past of cultural exchange between China and Japan.China has been the habitat and cultural homeland of tigers since ancient times.In the early conquest of nature, the tiger was endowed with special connotations.”The Rites of Zhou” mentioned that “with jade as six utensils, with the gift of heaven and earth square”, used for sacrifice to the West is jade amber.And in the Book of Changes “east Qinglong, west white tiger, south rosefinch, north Xuanwu”, also pushed the tiger to the indescribable position.The tiger is the embodiment of courage, masculinity, justice and majesty, as well as the symbol of power, status and identity.Tiger culture has a long history in China.Like the tiger, each animal in the Chinese zodiac has long been in harmony with our national culture, with profound aesthetic ideas and incomparable artistic charm.As an important part of Chinese folk culture, zodiac culture has become an indispensable part of our life.A lucky animal at the age of one year is like a mascot given to everyone. It is a unique gift brought by Chinese culture to the children of China, and it is also the cultural bond that closely connects us with this area.This article has been authorized by the author to release the text and text by the author to provide special thanks to China Sea new wave official number support