Yuan blue and white glaze evolved from blue and white glaze (9)

2022-06-12 0 By

Yuan blue and white from the start-up trial burn to change mature, experienced a slow process.The above launched a total of 8 sections to discuss the yuan blue and white article, from the single color glaze into the yuan blue and white chapter are discussed.Today we are going to talk about the yuan Dynasty to the positive type, with imported pure su ma from the green material of the Yuan blue and white dragon pattern with a lid ewer, this ewer can say that the green material painted has been very mature, whether it is tire soil, color material, painting is impeccable.Blue and white is rich in color, fine painting, tire soil astringent, glaze embellish.This teapot is elegant in shape, and the use of bottle appreciation handle and spout is more sedate and dignified, fresh and beautiful.The whole picture is divided into seven layers of decorative painting in a device, mouth along the next painting a week of banana leaf grain, banana leaf solid, is the Typical painting method of the Yuan Dynasty, neck painting a week back, back to the grain and draw a week wrapped branch chrysanthemum grain, shoulder painting a week roll grass grain, the theme of decorative painting a flying dragon, dragon fierce, mouth spit tongue, vivid.Below the waist draw a week of variant lotus petal pattern, lotus petal separate each not connected.The last layer is the bottom of the king.The overall glaze color pan-duck egg cyan, the above patterns and glaze are typical patterns and glaze used in the Yuan Dynasty, (imitation products are in any case also can not burn this glaze color) the pot on the system of a round eye is used to tie the lid of the pot to fix the role, the middle of the spout of a bridge, which can fix the body and increase the appearance.The spout is also painted with a flame pattern, which is like the mouth of a dragon.Cover knead plastic a Beijing ba dog, stand on the top of the cover, vivid and interesting, have the feeling of coming out.The cover is painted along a circle of twining flowers to increase the beauty.The inner wall of the cover is exposed without glaze, with light flint red, ma Cang soil characteristics are obvious.Bottom circle foot does not have glaze, the center has swirl mark grain, circle foot turns to cut a knife to show the trapezoid that comes over upside down, this is yuan dynasty peculiar practice, in identifying yuan porcelain, this is the most important!There are three glaze spots in the center of the foot, which are naturally distributed. This is intentionally made by kiln workers in Yuan Dynasty. There are historical records that this is a special mark made by kiln workers in Yuan Dynasty.From a comprehensive view of this pot, all natural traces are found, such as the sinking and scattering of su ma and green materials, the obvious iron-brown spot and tin light at the material accumulation place, the uneven eating of the tire on the glaze surface, and the obvious tire connection marks on the inner wall of the vessel, etc.There is no need to describe it here, for the expert will see and understand it, for it is spiritual and can speak for itself.That concludes this section.Details for readers to learn.Next time will launch the tenth section, yuan blue and white wrapped branch chrysanthemum grain pear type ewer, please look forward to.